TRASH DEITY Release ‘Frantic Child / Cross & Divide’ Remix EP

Frantic Child EP Cover JDN

Industrial Rock project TRASH DEITY, the duo of Groovie Mann (My Life With The Thrill Kill Kult) and John D. Norten (Blue Eyed Christ), has released the Frantic Child remix EP with remixes off of their 9/7 released Cross & Divide LP, both via Metropolis Records. The pair has also revealed the art selected via their ReGen Magazine hosted Fan Album Art Contest, which was created by Nicole Fakhouri.

remix player

Track List:
1. “Frantic Child (Blue Eyed Christ Remix)” Remixed by John D. Norten
2. “Frantic Child (Haze Remix)” Remixed by Joe Haze (Lords of Acid, Haze)
3. “Frantic Child (The D-Dogtablet Remix)” Remixed by Martin King (Test Department, Dogtablet)
4. “Frantic Child (Single Edit)” Mixed and Edited by John D. Norten
5. Cross & Divide (Slighter Remix)” Remixed by Colin Cameron Allrich.
6. Cross & Divide (Go Fight Remix)” Remixed by Jim Marcus (Die Warzau, Go Fight)

Click HERE to Download ‘Frantic Child / Cross & Divide’ EP on Bandcamp

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 Track List:
1. Cross & Divide
2. Run 4 Your Lies!
3. Fame Games
4. Frantic Child
5. A Perfect One
6. Hardrive
7. Finger On A Trigger
8. Emotions Matter
9. Icons & Idols
10. Finger On A Trigger (JDN Remix)

 

Click HERE to Download Digital Copy of ‘Cross & Divide’ Online

Click HERE To Order ‘Cross & Divide’ CD via Metropolis Records

Advance Praise for Cross & Divide

 

“a true electro-rock masterpiece ..This is hands down the best electronic rock album that I’ve heard all year long!” – XS Rock

“While it may be hard to separate the Wax Trax! origins of Trash Deity’s members, you don’t have to be a dyed-in-the-wool aficionado to get your ass shaking to this album. Rather songs from this album should fit comfortably alongside contemporary dance floor numbers. That’s all to say rivetheads will love it, but even genre outsiders will find an appreciation for Cross and Divide.” – The Void Report

“Frank Nardiello (better known as Groovie Mann of Thrill Kill Kult) and John D. Norten (of Blue Eyed Christ) have teamed up to form Trash Deity. Their debut album, “Cross and Divide,” brings the Wax Trax! Sound to a new generation…a pounding dance beat, throbbing electronics, found sound samples, and heavily processed vocals…Over all, I like this, and if you’re a Wax Trax fan, you will too.” – Jersey Beat

Cross & Divide is as seductive as it is addictive; a great and fun listen from point A. to point B.” – The Noise Beneath The Snow

IMG 9769

Facebook | Twitter | Soundcloud | YouTube

Coming from Los Angeles with roots in the legendary Chicago Wax Trax! scene is the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kult and accomplished music producer and Industrial artist John D. Norten (Blue Eyed Christ). The debut Single, “Finger on a Trigger”, combined classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from Norten’s studio experience with major artists. The accompanying unique Music Video was comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The second single and video, “Run 4 Your Lies!” was released in 2017 solidifying Trash Deity and catching the attention of Metropolis Records

2018 marks the anticipated release of the debut album, Cross & Divide, on Metropolis Records.

Cross & Divide Album is an album for now and is a representation of the confrontational and divisive times we live in. It’s a journey into the manic world of Trash Deity from the opening invitation of “Let’s run away” to the powerful closing Album statement “Change”. Each song has its own identity, but the album was designed to be a trip on a journey. It sounds totally cohesive and totally chaotic at the same time…just like us!” – JDN

9D6A1154

What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze, recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

9D6A0866v2

 
I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing.
JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album, Leaders + Followers, was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, and more. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh & cry & argue with the producer. – Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the songs. The whole process was very organic. – JDN

Cross & Divide ultimately reflects both their shared roots as well as their unique and individual approaches to songwriting and recording. Groovie Mann’s spontaneous and poetic lyrical reactions to Norten’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the newly initiated.

TRASH DEITY Team with ReGen Magazine to Launch Fan Album Art Contest for ‘Frantic Child/Cross & Divide Remix’ EP

IMG 9758

Industrial Rock project TRASH DEITY, the duo of Groovie Mann (My Life With The Thrill Kill Kult) and John D. Norten (Blue Eyed Christ), has launched their Fan Album Art Contest for Frantic Child/Cross & Divide Remix EP in advance of the EP. Exclusively announced on ReGen Magazine, the contest includes signed CDs of Cross & Divide as well as one of a kind, handwritten lyric sheet by Groovie Mann.

Player

Fan Album Art Contest for Frantic Child/Cross & Divide Remix EP featuring remixes by Martin King (Test Dept), Jim Marcus (GoFight / Die Warzau) Colin Allrich (Slighter), and more.

Grand Prize:
Art used for EP Release on Metropolis Records with full artist credits
Personalized Handwritten Groovie Mann Lyric Sheet
Signed Trash Deity Cross & Divide CD

Runner Up:
Personalized Handwritten Groovie Mann Lyric Sheet
Signed Trash Deity Cross & Divide CD

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Track List:
1. Cross & Divide
2. Run 4 Your Lies!
3. Fame Games
4. Frantic Child
5. A Perfect One
6. Hardrive
7. Finger On A Trigger
8. Emotions Matter
9. Icons & Idols
10. Finger On A Trigger (JDN Remix)

Click HERE to Download Digital Copy of ‘Cross & Divide‘ Online
Click HERE To Order ‘Cross & Divide‘ CD via Metropolis Records

Advance Praise for Cross & Divide

“a true electro-rock masterpiece ..This is hands down the best electronic rock album that I’ve heard all year long!” – XS Rock

“While it may be hard to separate the Wax Trax! origins of Trash Deity’s members, you don’t have to be a dyed-in-the-wool aficionado to get your ass shaking to this album. Rather songs from this album should fit comfortably alongside contemporary dance floor numbers. That’s all to say rivetheads will love it, but even genre outsiders will find an appreciation for Cross and Divide.” – The Void Report

“Frank Nardiello (better known as Groovie Mann of Thrill Kill Kult) and John D. Norten (of Blue Eyed Christ) have teamed up to form Trash Deity. Their debut album, “Cross and Divide,” brings the Wax Trax! Sound to a new generation…a pounding dance beat, throbbing electronics, found sound samples, and heavily processed vocals…Over all, I like this, and if you’re a Wax Trax fan, you will too.” – Jersey Beat

Cross & Divide is as seductive as it is addictive; a great and fun listen from point A. to point B.” – The Noise Beneath The Snow

IMG 9769

Facebook | Twitter | Soundcloud | YouTube

Coming from Los Angeles with roots in the legendary Chicago Wax Trax! scene is the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kult and accomplished music producer and Industrial artist John D. Norten (Blue Eyed Christ). The debut Single, “Finger on a Trigger”, combined classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from Norten’s studio experience with major artists. The accompanying unique Music Video was comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The second single and video, “Run 4 Your Lies!” was released in 2017 solidifying Trash Deity and catching the attention of Metropolis Records

2018 marks the anticipated release of the debut album, Cross & Divide, on Metropolis Records.

“Cross & Divide Album is an album for now and is a representation of the confrontational and divisive times we live in. It’s a journey into the manic world of Trash Deity from the opening invitation of “Let’s run away” to the powerful closing Album statement “Change”. Each song has its own identity, but the album was designed to be a trip on a journey. It sounds totally cohesive and totally chaotic at the same time…just like us!” – JDN

9D6A1154

What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze, recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

9D6A0866v2

 
I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing.
JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album, Leaders + Followers, was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, and more. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh & cry & argue with the producer. – Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the songs. The whole process was very organic. – JDN

Cross & Divide ultimately reflects both their shared roots as well as their unique and individual approaches to songwriting and recording. Groovie Mann’s spontaneous and poetic lyrical reactions to Norten’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the newly initiated.

TRASH DEITY Release Highly Anticipated, Debut LP, ‘Cross & Divide”!

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Industrial Rock project TRASH DEITY, the duo of Groovie Mann (My Life With The Thrill Kill Kult) and John D. Norten (Blue Eyed Christ), has released their debut LP, Cross & Divide via Metropolis Records. Drawn from the duo’s Chicago Wax Trax! history, the 10 track album pays homage to the classic Industrial roots with a modern, sophisticated production.

“a true electro-rock masterpiece…This is hands down the best electronic rock album that I’ve heard all year long!” – XSRock

Album Player

Click HERE to Download “Cross & Divide” FREE!

 

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Track List:
1. Cross & Divide
2. Run 4 Your Lies!
3. Fame Games
4. Frantic Child
5. A Perfect One
6. Hardrive
7. Finger On A Trigger
8. Emotions Matter
9. Icons & Idols
10. Finger On A Trigger (JDN Remix)

Click HERE to Download Digital Copy of ‘Cross & Divide’ Online

Click HERE To Order ‘Cross & Divide’ CD via Metropolis Records

Advance Praise for Cross & Divide

“While it may be hard to separate the Wax Trax! origins of Trash Deity’s members, you don’t have to be a dyed-in-the-wool aficionado to get your ass shaking to this album. Rather songs from this album should fit comfortably alongside contemporary dance floor numbers. That’s all to say rivetheads will love it, but even genre outsiders will find an appreciation for Cross and Divide.” – The Void Report

9D6A0676

Coming from Los Angeles with roots in the legendary Chicago Wax Trax! scene is the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kult and accomplished music producer and Industrial artist John D. Norten (Blue Eyed Christ). The debut Single, “Finger on a Trigger”, combined classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from Norten’s studio experience with major artists. The accompanying unique Music Video was comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The second single and video, “Run 4 Your Lies!” was released in 2017 solidifying Trash Deity and catching the attention of Metropolis Records

2018 marks the anticipated release of the debut album, Cross & Divide, on Metropolis Records.

Cross & Divide Album is an album for now and is a representation of the confrontational and divisive times we live in. It’s a journey into the manic world of Trash Deity from the opening invitation of “Let’s run away” to the powerful closing Album statement “Change”. Each song has its own identity, but the album was designed to be a trip on a journey. It sounds totally cohesive and totally chaotic at the same time…just like us!” – JDN

9D6A1154

What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze, recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

9D6A0866v2

I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing.
JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album, Leaders + Followers, was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, and more. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh & cry & argue with the producer. – Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the songs. The whole process was very organic. – JDN

Cross & Divide ultimately reflects both their shared roots as well as their unique and individual approaches to songwriting and recording. Groovie Mann’s spontaneous and poetic lyrical reactions to Norten’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the newly initiated.

Twitter | Facebook | SoundCloud | YouTube 

Swindy Release Official Music Video for “Reflection”

Tucson, AZ based Electronic Pop Rock band Swindy has released the Official Music Video for the single “Reflection,” off of their debut, self titled EP. Originally premiered on Tattoo.com, “Reflection” was directed by Isabel Uzcategui at Originate Design Productions.

 

During my time in 2012, I began to discover the strength found in pop music. I fell in love with the influences of Katy Perry, Lady Gaga, Kesha and more. It was from there that my solo project, Swindy (a nickname given to me), began to take off. It has developed itself quickly into a style that brings a variety of music styles together and is supported by a complete band lineup. – Randall Swindell

Download / Stream ‘Swindy’ Online:

iTunes | Amazon | Spotify | Bandcamp

 

Swindy began life as the solo project of Randall Swindell (frontman for Ensphere) when presented with a sudden opportunity to play a show. He teamed up with drummer Mike Jenney (Alter der Ruine and Assemblage 23) and guitarist Jeff Sargent (vocalist for Industrial Band 51 PEG) for their debut in July 2016 in Tucson, AZ; Steven Escalante has since joined the band as the newest permanent and live drummer while Mike has moved over to synthesizer position. Classical vocalist Alyson Precie joined in September 2016. Conceived at the start as a fast-paced project designed for a flexible, modular live performance, a Swindy show can be executed with as few as one or as many as nine musicians. Their sound has been described as “Electronic Pop Rock – with a twist of Industrial”, but the diverse musical backgrounds of the members combine to create a sound that’s not quite definable. Swindy has quickly gained momentum, releasing their first single “Reflection” (ft. John Russell) on November 17th, 2016, followed by their next single “Ignite My Love” on January 12th, 2017. The full 5 track self-titled EP, produced by Matt Good (From First to Last), was released on February 23rd. Not content with just the studio, Swindy has shared the bill with Orgy, Powerman 5000, Trapt, Otep, Dope, Combichrist, William Control, and many others. Swindy recently welcomed the addition of Jonathan Russell on guitar, replacing Jeff Sargent for the upcoming live performances. Swindy continues to book out 2017, and a full length record is in motion for early 2018.

Connect with Swindy:

Facebook | Twitter | Youtube | Instagram

Wax Trax! Veterans Groovie Mann (My Life With The Thrill Kill Kult) & JDN (Blue Eyed Christ) Team Up to Form Trash Deity

Chicago Wax Trax! veterans Groovie Mann (My Life With The Thrill Kill Kult) and JDN (John D. Norten of Blue Eyed Christ) have combined their considerable talents to create Trash Deity, an eclectic Industrial project combining classic sounds with modern, polished music production. Over the last several months, the duo have written and produced their introductory EP, Run 4 Your Lies!, release date TBA. The Official Video for their debut single, “Finger on a Trigger,” was created by photographer and graphic artist Neil Kull and features the compellingly vivid paintings of Groovie Mann himself.

I think the forthcoming EP is a really exciting representation of Groovie Mann and I experimenting and discovering what our sound is as Trash Deity. It’s an eclectic EP because we weren’t locked into a sound or expectation from our previous projects. One song is electronic for the clubs with a pounding bass line and signature Groovie Mann maniacal vocal chants, then another is a sexy dirty strip club anthem. Each song has it’s own identity, but the EP still sounds totally cohesive and chaotic at the same time…just like us! – JDN

Download Trash Deity’s “Finger on a Trigger” FREE Now Through 11/23/2016 HERE!

Buy Trash Deity’s “Finger on a Trigger” Online:
iTunes | Spotify

About Trash Deity:

Hailing from Los Angeles with roots in the legendary Chicago Wax Trax! scene comes the new duo Trash Deity. Combining the chaos and energy of the classic Wax Trax! sound updated with hard and modern production, Trash Deity is Groovie Mann aka Franke N. Nardiello (My Life With The Thrill Kill Kultfrontman/writer) and accomplished music producer and industrial artist JDN aka John D. Norten (Blue Eyed Christ). Their debut Single, “Finger on a Trigger”, combines classic Groovie Mann vocals and cryptic lyrics with an infectious heavy electronic/guitar groove benefitting from JDN’s studio experience mixing and engineering major artists. The accompanying Music Video is comprised entirely of manipulated shots of paintings from the twisted imagination and eccentric mind of Groovie Mann. The debut 4 song EP, Run 4 Your Lies!, will follow soon.

I think the forthcoming EP is a really exciting representation of Groovie Mann and I experimenting and discovering what our sound is as Trash Deity. It’s an eclectic EP because we weren’t locked into a sound or expectation from our previous projects. One song is electronic for the clubs with a pounding bass line and signature Groovie Mann maniacal vocal chants, then another is a sexy dirty strip club anthem. Each song has it’s own identity, but the EP still sounds totally cohesive and chaotic at the same time…just like us! – JDN

What was the earliest influence in your life that led you to a music career?

the vibrations from my mother’s record player that she kept under my crib. She was 19. – Groovie Mann

The defining moment for me was my first concert, Duran Duran, when I was in 6th grade. I looked around and thought…”That’s what I want”. It was a very powerful image at that time and age, Nick Rhodes with the Fairlight Sampling Keyboard and the futuristic sights and sounds. The music and lyrics were very mysterious inviting me into their world and I was very intrigued. – JDN

Nardiello’s informally structured and yet deeply storied career began with his first band, Special Affect, including Marti Sorenson & Harry Rushakoff (Concrete Blonde) with Al Jourgensen (Ministry) on guitar. Shortly after, he moved to London working with Simon Raymonde of Cocteau Twins with post-punk band Drowning Craze recording a John Peel session in 1982. While touring with Ministry in 1986, he met and began working with Buzz McCoy (Marston Daley) to write a film titled Hammerhead Housewife and the Thrill Kill Kult, which was never filmed but ultimately evolved into TKK and an EP released with Wax Trax! Records. Over the next nearly 30 years, Groovie Mann has established his iconic reputation through multiple releases with TKK and contributed songs to several movie soundtracks, even appearing in the 1994 cult classic film The Crow. He’s also established himself as an accomplished painter in the LA art community. His uniquely abstract style offers a further peak into the mind and art of Groovie Mann and are sold to fans around the world.

What would you consider to be the ‘crossroads’ that directly led to you actively pursuing a musical career?

My Insanity. – Groovie Mann

I would say my first Blue Eyed Christ record deal with KK Records in Belgium right out of High School for Leaders + Followers. It legitimized what I was doing for the first time and made me realize people outside of my bedroom studio may be interested in what I was doing. – JDN

John D. Norten also emerged from the 1990s Chicago Industrial scene as the leader of Blue Eyed Christ. The debut album Leaders + Followers was released internationally on Belgians classic EBM/Industrial label KK Records while still in his teens. Over the next few years, Blue Eyed Christ was featured on several prominent compilations and played the prestigious New Music Seminar in 1992 at the Limelight with Clock DVA and Chemlab. Blue Eyed Christ continued playing visceral live shows throughout the 90s and Norten continued recording at Chicago Trax Recording Studios working with established musicians and engineers from Ministry, Nine Inch Nails, etc. In 1996, Norten relocated to Los Angeles and has established himself as an in demand mixer and engineer for many of the biggest artists in the world including The Black Eyed Peas, Prince, CeeLo Green, and Lady GaGa.

How are you inspired to start a song and how does that develop from writing to composition, recording, and completion? What was the process for this project?

Jump into it -improvise with & without notes, laugh cry & argue with the producer.– Groovie Mann

I usually start with the drums and music, but really anything can be the creative spark. When I first met with Groovie Mann he came over and I played him a bunch of instrumental tracks I had and he choose the ones that inspired him the most lyrically. He would write to them while he paints at home and then come over with notebooks full of ideas and inspirational goodies. Once we wrote the lyrics and recorded his vocals, I’d go back in and add more music and elements and we’d arrange that into the song. The whole process was very organic. – JDN

The four tracks making up Run 4 Your Lies! ultimately reflect both their shared roots as well as their unique, individual approaches to their craft. Groovie Mann’s spontaneous and poetic lyrical reactions to JDN’s carefully constructed song productions makes for a compelling mix of something new with enough of a nod to the past sure to please the old school fans and the popular emerging newer generation as well.

Connect with Trash Deity:
Facebook | Twitter | SoundCloud | YouTube